Ysella Sims
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the poet
Poet, writer and producer Ysella Sims has had her work featured in The Guardian, Brittle Star and the The Blue Nib Literary Magazine, where she was a contributing editor. Ysella produces poetry and spoken-word events, as well as the immersive poetry podcast, Tell Me Something. She published her first poetry pamphlet, you are here, in 2021.
the poems
Echo
They watch the screen
as the sonographer traces
slow circles on her belly
and the room dulls
to a thick, cloistered hush.
In another room, smaller, colder
the world rends, roils
beneath the blue plastic sofa
while they wait for the midwife
to tell them, it doesn’t look good.
In the weeks between, they lean
against the cool bark
of the witching tree on the heath
whisper pleas into its tessellations
stick stray feathers into the sand
to arrange their wishes, just so.
And when it is time, she lies still
oh-so-still on the table
holds her breath
behaves.
Outside, a morning of crows
bare-branched, murdering
the brumal air with clatter and chaws;
a carnival flash of parakeets
at the Richmond window.
Sun breaking through dank
in the gorse-crowned field
to colour the sky sugared pink
starling egg blue
the sweet heft of a pear-sized
ghost in her arms.
I am turning into
all the mothers
I am turning into all the mothers
my younger self condemned;
the ones that baulked
at journeys, heights,
the world beyond the door
the diazepam-rattlers
cake-offerers, stomach-ragers
sobbers
the confidence-tricksters
told-you-so-ers
nitpickers
frowners
the news-tutters
jar-scrapers
eavesdroppers
sighers –
all those felled by their
children’s fingers
un-
– picking
the
strings.
Folk Festival, 1982
All she remembers is that there was a coach
brimful with men and women
punchdrunk with Friday night
and possibility, the air sun-ripe and sweet
kids stacked amongst kit bags
fiddles and sticks
and as dusk fell a field of yellow and green
where they pitched their tents
and Big Sue, apple-cheeked and
bangled, squeezed her brother
into her bosom’s curve
in the tent’s zipped orange glow
a car park, pulsing with music and bells
light spilling from the pub like
it was somebody’s front room
the electric scent of men
their danced-in shirts
the velveted whirl of women’s
black-chokered throats
childrens’ voices in the glow-wormed hedges
and a scratchy-faced stranger
pinning her, like a butterfly,
to the August ground
– her brother, reaching in to
release her
like she was one of his own.
Publishing credits
Echo: The Blue Nib
I am turning into all the mothers / Folk Festival, 1982:
exclusive first publication by iamb