Julie Easley
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the poet
Julie Easley (she/her) is a working-class poet, activist, intersectional feminist and trans ally widely published in anthologies online and in print. Her poems have featured as audio readings on the US New Generation Beat Poet Laureate Ron Whitehead’s album From the Ancestors (with music by Gabriel Walker), BBC Upload, Open Collab, and Butterfly Effect's MdZ Estate. Her film-poem skin was published by IceFloe Press. Julie's debut poetry chapbook, NOT MY KING, is forthcoming from The Black Light Engine Room Press in October 2023.
the poems
god in heels
'Anyone who does not know love
does not know God, because God is love'
1 John 4:8
if god appeared
before you now, they would demand
you look away
if you had dared to steal their words
and harm them
they would fix their hair, loosen
a top button
or two then slip on heels
to stomp on your placards
that preach
your commandments of hate
that god you howl is dead
sometimes
god is just a kid
growing into themselves
sometimes they retreat
find their community online
sometimes god wears
knee high boots and risks being killed
in a bathroom
imagine
Dedicated to MPs Priti Patel
and Suella Braverman
imagine you had just crossed the sea
crashed out of the waves
fell down onto your knees
imagine your kids strapped to your sides
their lives wrapped in plastic
snapped and tagged for all the front pages
imagine that journey, the swell of fear
in your mind, the relief of the sand
as your feet hit the ground
imagine being met by military might
their strength and power transposed onto you
imagine being met by all that force
imagine the drowning of your spirit
no helping hands to keep you afloat
imagine that danger, your desperation
imagine the spectacle of media
transmission is live on the 6 o’clock news
your trauma and torment in full public view
imagine if none of this were true
when I walked with
my First Nation friend
in Australia
our footprints were the same – marks in time and place, whispers
on the land. hers had longer toes, a lighter touch, her higher arch scarcely
skimming the surface of the red dust road. you could tell
I was following, hers paused occasionally, turning
and smudging the powdered earth between us, gathering up
the grains in pinched skin. her footsteps were rhythmic, heartbeat
paced, moments of movement that mourned the song
of the mother. she danced a little, displaced the land beneath belonging
feet, placed her land beneath her feet. our bodies became
the map, charting out the points where we lingered
longingly, where the dappled sunlight dripped on us like melting
butter, running down our bare flesh onto crusted
paths. we merged into one as we rounded the river, disappearing
into cooling waters quenching that part of us that thirsted
for more. we swam till fading light beckoned
us home, our impressions trailing behind tired
limbs, through bush-lined lanes into the mass of structures that bore
the town. we left our embrace in the earth, toes melting into toes obscuring
our separation, and as the sky dimmed into night we promenaded
the parade of hotels, where the tone of her feet was too dark to glide
through the guarded gates into the gilded paradise of cocktails and canned
laughter. in her country it was the pale stranger at her side who held
the keys. we retreated to the welcome noise of the downtown
bar that had no care of the colour of our soles and rested, pressing
our toes together as if in prayer. if by chance you were soaring
overhead and happened to glance upon us, you’d find two figures playing
footsie like childhood friends in the park.
Publishing credits
god in heels: written exclusively for iamb
imagine: Culture Matters
when I walked with my First Nation friend in Australia:
StepAway Magazine (Issue 33)
S h a r e